{"title":"Paintings and Monotypes","description":"\u003cp\u003eSTROBEL Gallery presents original contemporary paintings and works on paper by artists including Joe Shlichta, Harold Hollingsworth, Sarah Norsworthy, Tina Randolph, Rachel Maxi, and Theresa Wingert. The program includes abstract painting, landscape, geometric composition, monotypes, collage, and contemporary approaches to oil, acrylic, printmaking, and mixed media.\u003c\/p\u003e\n\u003cp\u003eWorking through remembered landscapes, sustained observation, layered color, gesture, mark-making, geometric form, and print-based processes, these artists develop distinct relationships between subject, surface, color, and material.\u003c\/p\u003e\n\u003cp\u003eBased in the Coachella Valley near Palm Springs and Palm Desert, STROBEL Gallery works with collectors, interior designers, architects, and art consultants throughout Southern California and nationally. Explore available contemporary paintings, monotypes, and original works on paper online, or contact the gallery regarding acquisition, placement, commissions, and additional available work.\u003c\/p\u003e","products":[{"product_id":"maxi-mojave","title":"Mojave Fantastique","description":"\u003cp\u003eMojave Fantastique was created by Rachel Maxi during her time at Joshua Tree Highlands Artist Residency, where the Mojave landscape becomes the starting point for a densely imagined, surreal terrain. Familiar desert elements—rock formations, scrub, distant mountains, and the vast night sky—are recast through an invented vocabulary of biomorphic, architectural, and creature-like forms.\u003c\/p\u003e\n\u003cp\u003ePainted in oil with 24k gold leaf, the work moves between earthy mineral tones and saturated passages of blue, rust, ochre, and green. The gold leaf introduces a concentrated luminosity within the nocturnal field, while Maxi’s layered handling of oil gives the forms weight, texture, and an almost sculptural presence. The result is a desert landscape transformed by memory, observation, and imagination into something otherworldly yet unmistakably rooted in Joshua Tree.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOil and 24k gold leaf on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: 60 × 84 in.\u003c\/p\u003e","brand":"Rachel Maxi","offers":[{"title":"Default Title","offer_id":44985785286709,"sku":"SGRM0007","price":14000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3842\/8469\/files\/IMG_5469.jpg?v=1790482297"},{"product_id":"wingert-satmap01","title":"Satellite Map 01","description":"\u003cp\u003eIn Satellite Map 01, Theresa Wingert builds the image through layered fields of Japanese silk tissue, ink, and vinyl paint, producing forms that register at once as mineral, topographic, and abstract. Translucent greens, grays, and blue-green passages are set against dense black and sharp interventions of acid yellow, giving the work both depth and graphic precision.\u003c\/p\u003e\n\u003cp\u003eThe monotype process is central to the work’s effect: color is absorbed into and compressed through the paper surface, creating a saturation and translucency that painting alone does not produce. The result is a composition that feels spatially complex and materially exacting, suspended between map, fragment, and invented terrain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Ink, vinyl paint, chine collé, Japanese silk tissue and Rives BFK paper\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 30 × 41 in\u003c\/p\u003e","brand":"Theresa Wingert","offers":[{"title":"Default Title","offer_id":44985785319477,"sku":"SGTW0001","price":4800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3842\/8469\/files\/image_285b593b-cad5-415f-b19e-b441499432d0.png?v=1790837675"},{"product_id":"wingert-satmap02","title":"Satellite Map 02","description":"\u003cp\u003eIn \u003cem\u003eSatellite Map 02\u003c\/em\u003e, Theresa Wingert scatters translucent, stone-like forms across a white field, as if mapped from far above. Layers of Japanese silk tissue, ink, and vinyl paint build warm passages of mauve, blush, and deep plum, cut through by bold strokes of vermilion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Ink, vinyl paint, chine collé, Japanese silk tissue and Rives BFK paper\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 30 × 41 in\u003c\/p\u003e","brand":"Theresa Wingert","offers":[{"title":"Default Title","offer_id":44985785352245,"sku":"SGTW0002","price":4800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3842\/8469\/files\/image_8027517b-414d-4a55-bca4-83735e93c671.png?v=1790838964"},{"product_id":"wingert-satmap03","title":"Satellite Map 03","description":"\u003cp\u003eSatellite Map 03 builds a dense vertical field through ink, vinyl paint, and chine-collé, with Japanese silk tissue creating shifts in transparency, saturation, and surface. Black, gray, iron red, and magenta are interrupted by emphatic bands of saturated red, giving the composition a strong internal structure.\u003c\/p\u003e\n\u003cp\u003eWingert allows the forms to remain discrete while building a larger visual system through overlap, compression, and scale. The result suggests mapping without describing a specific place—spatially complex, materially layered, and precise in its balance of opacity and transparency.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Ink, vinyl paint, chine collé, Japanese silk tissue and Rives BFK paper\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 30 × 41 in\u003c\/p\u003e","brand":"Theresa Wingert","offers":[{"title":"Default Title","offer_id":44985785385013,"sku":"SGTW0003","price":4800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3842\/8469\/files\/image_b77331ba-53c4-4265-9c12-8c9cc6a58034.png?v=1790839192"},{"product_id":"wingert-satmapspring1","title":"Satellite Map - Spring 01","description":"\u003cp\u003eSatellite Map: Spring 01 develops Wingert’s cartographic language through a cooler, more chromatically expansive register. Ink, vinyl paint, and chine-collé build a field of green, blue-green, yellow, black, and white, with Japanese silk tissue introducing shifts in translucency, opacity, and surface.\u003c\/p\u003e\n\u003cp\u003eThe composition is structured through fragmentation, overlap, and negative space rather than conventional perspective. Angular forms, compressed passages, and sharply saturated color create a complex spatial rhythm, while the title Spring is carried primarily through the palette rather than illustration. The work remains resolutely abstract: materially layered, graphically precise, and spatially unsettled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Ink, vinyl paint, chine collé, Japanese silk tissue and Rives BFK paper\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 20 × 27 in\u003c\/p\u003e","brand":"Theresa Wingert","offers":[{"title":"Default Title","offer_id":44985785417781,"sku":"SGTW0004","price":3700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3842\/8469\/files\/image_f7632288-99cc-4ca6-9d9d-d76e30dc642a.png?v=1790839845"},{"product_id":"wingert-satmapspring2","title":"Satellite Map - Spring 02","description":"\u003cp\u003eSatellite Map: Spring 02 develops Wingert’s language of layered abstraction through an open, vertical composition. Ink, vinyl paint, and chine-collé create overlapping fields of green, blue-green, gray, black, and yellow, with Japanese silk tissue introducing subtle shifts in opacity, translucency, and surface.\u003c\/p\u003e\n\u003cp\u003eThe work is structured through interruption, compression, and negative space. Dense passages of overlapping form are countered by areas of white, while concentrated yellow elements establish points of visual tension and directional movement. The result is spatially complex, materially precise, and held together by a highly controlled chromatic rhythm.\u003c\/p\u003e\n\u003cp\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Ink, vinyl paint, chine collé, Japanese silk tissue and Rives BFK paper\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 20 × 27 in\u003c\/p\u003e","brand":"Theresa Wingert","offers":[{"title":"Default Title","offer_id":44985785450549,"sku":"SGTW0005","price":3700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3842\/8469\/files\/image_e57dcf59-dd24-424c-99c0-9a476993eb3c.png?v=1790840169"},{"product_id":"cooper-s-hawk-in-the-blossoms","title":"Cooper’s Hawk in the Blossoms","description":"\u003cp\u003eSarah Norsworthy approaches landscape as an accumulation of observation over time. Working slowly in oil, she builds the image through repeated acts of looking, allowing shifts in light, atmosphere, weather, and perception to enter the painting as the experience of the site changes.\u003c\/p\u003e\u003cp\u003eIn this sense, the work recalls an Impressionist understanding of landscape as temporal rather than fixed. Color, vegetation, and spatial relationships are developed incrementally, creating a layered record of natural phenomena as they unfold. The resulting image holds multiple moments at once: observed, remembered, and continuously revised through paint.\u003c\/p\u003e\u003cp\u003eOil on panel, 2022.\u003c\/p\u003e\u003cp\u003eDimensions: 44 × 33 in.\u003c\/p\u003e","brand":"Sarah Norsworthy","offers":[{"title":"Default Title","offer_id":45221232377909,"sku":null,"price":4800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3842\/8469\/files\/IMG_9957.jpg?v=1790487043"},{"product_id":"new-years-day","title":"New Year’s Day","description":"\u003cp\u003eThrough sustained observation, Sarah Norsworthy explores how changing light alters the color and form of her subject. 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Layered pigment creates depth and density across the surface, allowing color to move from opaque, weighty passages into softer, more luminous transitions. Subtle changes in texture and sheen give the geometry a tactile presence, while repeated linear elements create rhythm and tension. The result is structured yet sensuous—an abstract composition in which color, surface, and form are inseparable.\u003c\/p\u003e\n\u003cp\u003eOil on canvas on panel.\u003c\/p\u003e\n\u003cp\u003eDimensions: 45 × 45 in.\u003c\/p\u003e","brand":"Tina Randolph","offers":[{"title":"Default Title","offer_id":67597768851509,"sku":null,"price":6000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/3842\/8469\/files\/IMG_3926.jpg?v=1790483097"},{"product_id":"adrift","title":"Adrift","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eJoe Shlichta — Large Oil Painting\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this large-scale oil painting, Joe Shlichta depicts a boat caught in rough water, its structure partially obscured by the movement of the sea. Broad white strokes describe breaking water against a palette of deep blue, green, gray, and warm earth tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShlichta paints largely from memory, developing the image directly on the canvas. 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